Being a reviewer during Big Game Season often feels like being chased through a massive, winding building in a serial killer movie (or possibly Until Dawn). You gallop shrieking and blundering round a corner and are confronted by a series of ominous doors with labels such as “Baldur’s Gate 3“. You only have a few seconds to pick one and dive through, sweating in the knowledge that each door leads to a confusing network of corridors that exist wholly apart from each other – that each door not opened is a route to an Elsewhere you are doomed to never know, unless you’re commissioned to do a, haha, “retrospective” 10 years later.
This summer, in my previous dishonourable capacity as a freelancer, I barged through the doors marked “Zelda” and “Final Fantasy 16”, then spent a frantic moment trying to force the “Baldur’s Gate 3” door to open, before giving up and throwing myself under a heap of unedited features. Now, in the relative lull before the monster named Starfield crashes through the ceiling (yes, I know, I’m mixing my scenarios – it’s the end of the day and I’m tired), I emerge from the heap reborn as RPS News Editor, and peer back fearfully at some of the doors I left unopened. By far the grimmest and grandest of these is, of course, Diablo 4.